bajío (the shallows )
broken device is deconstructed, and its smallest interior parts are extracted and microscopically observed. Visual patterns are harvested, as speculative representations of the data that was lost when this device ceased to function. The images are embroidered onto an upcycled material. An old bedsheet becomes soft-ware, an autonomous personal archive.
A short-film about the second underwater transatlantic cable to enter New York’s Narrated in the first person. In bajío (the shallows) the artist embodies a transtemporal cable. As it recounts its history, and speculates into future-present, we travel through the sites it once was laid under. Exposing that power networks always intertwine, the film explores the inter-relation between ecology, infrastructure, and communication.